Tag Archive for: DMCA

The deal with DMCA 1201 reform


There are two fights in Congress now against the DMCA, the “Digital Millennium Copyright Act”. One is over Section 512 covering “takedowns” on the web. The other is over Section 1201 covering “reverse engineering”, which weakens cybersecurity.

Even before digital computers, since the 1880s, an important principle of cybersecurity has been openness and transparency (“Kerckhoff’s Principle”). Only through making details public can security flaws be found, discussed, and fixed. This includes reverse-engineering to search for flaws.

Cybersecurity experts have long struggled against the ignorant who hold the naive belief we should instead coverup information, so that evildoers cannot find and exploit flaws. Surely, they believe, given just anybody access to critical details of our security weakens it. The ignorant have little faith in technology, that it can be made secure. They have more faith in government’s ability to control information.

Technologists believe this information coverup hinders well-meaning people and protects the incompetent from embarrassment. When you hide information about how something works, you prevent people on your own side from discovering and fixing flaws. It also means that you can’t hold those accountable for their security, since it’s impossible to notice security flaws until after they’ve been exploited. At the same time, the information coverup does not do much to stop evildoers. Technology can work, it can be perfected, but only if we can search for flaws.

It seems counterintuitive the revealing your encryption algorithms to your enemy is the best way to secure them, but history has proven time and again that this is indeed true. Encryption algorithms your enemy cannot see are insecure. The same is true of the rest of cybersecurity.

Today, I’m composing and posting this blogpost securely from a public WiFi hotspot because the technology is secure. It’s secure because of two decades of security researchers finding flaws in WiFi, publishing them, and getting them fixed.

Yet in the year 1998, ignorance prevailed with the “Digital Millennium Copyright Act”. Section 1201 makes reverse-engineering illegal. It attempts to…

Source…

Twitch Faces Sudden Stream of DMCA Notices Over Background Music

There is obviously a great deal of action going on currently in the streaming world, spurred on in part by the COVID-19 crises that has many people at home looking for fresh content. Between the attempts to respond to social movements and tamp down “hateful” content to changes to the competitive landscape, streaming services are having themselves a moment. But with the sudden uptick in popularity comes a new spotlight painting a target on streaming platforms for everyone from scammers to intellectual property maximilists.

Twitch has recently found itself a target for the latter, suddenly getting slammed with a wave of DMCA notices that appear to focus mostly on background music.

Copyright strikes are an occupational hazard for many Twitch streamers and content creators, but a recent surge of DMCA takedown requests has overwhelmed the community. Now, Twitch support staff has responded to complaints, stating that the claims are focused on clips with background music from 2017 to 2019, and recommending that streamers remove them. The tweets also state that this is the first time that Twitch has received mass DMCA claims against clips.

Given that Twitch is still most popular as a site for live-streams and let’s-plays of video games, the speculation is that a great deal of this is targeting clips that include video game music. And, as we’ve seen elsewhere, it’s also the case that scammers are currently using game music as a method to try to takedown or monetize the videos of others. Whether or not that’s what is going on here is anyone’s guess, as Twitch is making it fairly clear that the flood of notices is so large that it’s simply taking down content and advising its streamers to proactively take down anything that might include this sort of copyrighted content.

Except that leaves no room for a number of things, including arguments for Fair Use of certain music, not to mention streamers that may be using game music from individuals or companies that don’t mind their work being up on Twitch. In the case of the latter, this is where scammers can most insidiously insert themselves into the mix.

And, what’s more, even the lawyers are telling streamers not to counter the claims without getting an attorney, so fraught is the copyright landscape.

The action also prompted a response from advocates like Ryan Morrison, better known as the Video Game Attorney. Morrison advised content creators not to counter the claims without speaking to an intellectual property lawyer. “You are quite literally telling them you are going to continue what you’re doing unless they sue you,” he tweeted. “Don’t threaten billionaire companies to sue you. Lawyer up.”

So here’s this newly thriving ecosystem of Twitch streamers, creating content that is not a mere copy of anything, but may use some copyrighted content in streams, and a huge chunk of it could get disappeared either out of legal compliance by Twitch or proactive fear-based takedowns by the streamers themselves.

All over some clips including background music? I’m trying to picture myself explaining all of this to the framers of copyright law, but somehow I don’t think they’d get it.

Techdirt.

How A Feud Among Wolf-Kink Erotica FanFic Authors Demonstrates What The Copyright Office Got Wrong In Its DMCA Report

Last week, we wrote about one of the biggest, glaring flaws in the Copyright Office’s long awaited report on the DMCA 512’s safe harbors was its refusal to recognize how frequently it’s abused to take down legitimate works. As if on cue, over the weekend, the NY Times has quite the story about a feud in (I kid you not), wolf-kink erotica fan fiction, that demonstrates how the DMCA is regularly abused to punish and silence people for reasons that have nothing to do with copyright.

The full NY Times article is worth reading, describing a still ongoing legal fight between two fanfic authors who wrote stories building on some apparently common tropes in the wolf-erotica fiction genre. One author sued another, but, as the article notes, all of the supposedly “copied” elements are common throughout the wider genre:

Then, in 2018, Ms. Cain heard about an up-and-coming fantasy writer with the pen name Zoey Ellis, who had published an erotic fantasy series with a premise that sounded awfully familiar. It featured an Alpha and Omega couple, and lots of lupine sex. The more Ms. Cain learned about “Myth of Omega” and its first installment, “Crave to Conquer,” the more outraged she became. In both books, Alpha men are overpowered by the scent of Omega heroines and take them hostage. In both books, the women try and fail to suppress their pheromones and give in to the urge to mate. In both books, the couples sniff, purr and growl; nest in den-like enclosures; neck-bite to leave “claim” marks; and experience something called “knotting,” involving a peculiar feature of the wolf phallus.

[….]

It’s hard to imagine that two writers could independently create such bizarrely specific fantasy scenarios. As it turns out, neither of them did. Both writers built their plots with common elements from a booming, fan-generated body of literature called the Omegaverse.

As the article goes on to note, this whole “Omegaverse” concept spun out of fanfiction based on the TV show “Supernatural.” And then a bunch of common tropes emerged:

Some Omegaverse stories involve lycanthropes (werewolves), vampires, shape-shifters, dragons, space pirates, others feature regular humans. But virtually all Omegaverse couples engage in wolflike behavior. Alphas “rut” and Omegas go through heat cycles, releasing pheromones that drive Alphas into a lusty frenzy. One particular physiological quirk that’s ubiquitous in Omegaverse stories, called knotting, comes from a real feature of wolves’ penises, which swell during intercourse, causing the mating pair to remain physically bound to increase the chance of insemination.

Normally, in copyright law, this should mean that there is no infringement. Either you have the idea/expression dichotomy come into play (the same idea expressed differently is not infringing as the idea itself cannot be covered by copyright) or there’s the concept of scenes a faire, in which a story in a particular genre needs those features to be a part of that genre.

However, even so, the DMCA has been weaponized here:

Ms. Cain urged Blushing Books to do something. The publisher sent copyright violation notices to more than half a dozen online retailers, alleging that Ms. Ellis’s story was “a copy” with scenes that were “almost identical to Addison Cain’s book.” Most of the outlets, including Barnes & Noble, iTunes, and Apple, removed Ms. Ellis’s work immediately.

See that? Merely by claiming infringement using the DMCA’s 512 notice-and-takedown provisions, one author was able to literally delete a bunch of books from most major book stores. Doesn’t that seem like a problem? The Copyright Office barely acknowledges it. But here it’s turned into a massive fight.

In late April 2018, Ms. Ellis got an email from a reader who had ordered one of her books from Barnes & Noble, then learned that it wasn’t available anymore. She soon discovered that all of her Omegaverse books had disappeared from major stores, all because of a claim of copyright infringement from Ms. Cain and her publisher. Ms. Ellis found it bewildering.

“I couldn’t see how a story I had written using recognized tropes from a shared universe, to tell a story that was quite different than anything else out there commercially, could be targeted in that way,” Ms. Ellis said. “There are moments and scenarios that seem almost identical, but it’s a trope that can be found in hundreds of stories.”

While Ellis did file a counternotice, the Times says that online stores were incredibly slow to put the books back (some took months).

A lawyer for Ms. Ellis and Quill filed counter-notices to websites that had removed her books. Some took weeks to restore the titles; others took months. There was no way to recover the lost sales. “As a new author, I was building momentum, and that momentum was lost,” Ms. Ellis said. And she worried that the “plagiarist” label would permanently mar her reputation.

The author, Ellis, eventually sued over the takedown notice, claiming it was improper (and also that it was defamatory — which, seems like a SLAPP suit on its own, unfortunately). However, the author accusing Ellis of infringement seems pretty big into SLAPPing as well:

Two years later, Ms. Cain and her publisher filed D.M.C.A. takedown requests against Ms. Ellis’s first two “Myth of Omega” books. Ms. Cain also asked her publisher to file an infringement notice against an Ellis novel that hadn’t even been released yet. “Book three needs to come down too. I don’t want her to make any more money off this series,” Ms. Cain wrote to Blushing Books in April, according to a court filing.

That’s… not how any of this works. The NY Times says that Cain’s publisher caved in and admitted there was no infringement and apparently paid up to settle with Ellis, but Cain has kept the case going. She should lose. By the way, if you want to dig into the details of the actual lawsuit, you can find the docket here. The NY Times does not appear to link to it.

But, as the article makes very, very clear, the DMCA’s notice-and-takedown process has been weaponised repeatedly. If it’s so obvious that it’s happening in such a niche area as “wolf-kink erotica fan fiction,” you know it’s happening in many other places as well. It seems ridiculous that the Copyright Office felt it wasn’t worth paying any attention to, and assuming that the only problems with DMCA 512 was that it didn’t take down enough content fast enough.

Techdirt.

Well Then: Activision Issues DMCA Subpoena To Have Reddit Unmask Whoever Posted That CoD Image Leak

Well, okay then. We had just been discussing Activision’s silly attempt to DMCA to death a leaked image purporting to be the cover art or marketing material for a new Call of Duty game. The whole thing was idiotic in that once word got around that Activision was trying to bury the leak, it immediately caused everyone to think the image was for a real game, rather than some faked pretend leak, which is a thing that sometimes happens. From there, reporting and reproduction of the image in question went mildly viral. In other words, Activision Streisanded the leak it was attempting to bury. Pretty dumb.

But it turns out that Activision isn’t screwing around. There were some in our comments who posited that perhaps this was some marketing attempt to create virality of the image. That certainly doesn’t appear to be the case, as Activision has issued a subpoena to have Reddit unmask the user who posted the image.

In a filing on February 14, 2020 at a California district court, attorneys acting for Activision requested a DMCA subpoena against Reddit.

“Petitioner, Activision Publishing, Inc. through its undersigned counsel of record, hereby requests that the Clerk of this Court issue a subpoena to Reddit, Inc. to identify alleged infringers at issue, pursuant to the Digital Millennium Copyright Act (‘DMCA’), 17 U.S.C. § 512(h),” the request reads.

“The DMCA Subpoena is directed to Reddit, Inc. Reddit is the service provider to which the subject of the subpoena – Reddit user ‘Assyrian241O’ – posted infringing Activision content.”

At first, it’s hard to see how this makes any sense. Yes, it surely must be annoying to a content creator to have any plans for future content to be upended by a leak. On the other hand, first DMCAing that leak in a failed attempt to bury it, and then going to the lengths of unmasking a Reddit poster is surely the nuclear option when it comes to how to handle a leak of game art.

Except, it seems, this might not be about the Reddit post itself so much as where the leak originally came from.

Contrary to the initial claim, that the user “found this image online”, he or she later confessed to it being sent to them by an “inside source”. That raises the question of who Activision is more interested in – the Reddit user or the person who sent them the image, possibly from inside Activision or a related company.

In other words, this is all looking like an attempt to unmask the leaker of the image, not the Reddit user. Still, these are extreme lengths to go to combat a leak that would have barely been noticed had Activision not gone into legal rage mode.

Instead, the company could have chosen to try to use this all as a marketing opportunity, as comments on the previous post thought they had.

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