Tag Archive for: piracy

Netflix, Which Has Previously Touted Its Ability To Compete With Piracy, Joins Australian Antipiracy Efforts

We have for some time been covering the rapid expansion of antipiracy and site-blocking efforts in Australia. Between the movie and music spaces, these efforts have been spearheaded by a couple of local entertainment groups, such as Village Roadshow and Music Rights Australia, and the typical suspects from the US, such as the MPAA, RIAA, and various movie and music studios. The ramping up of those efforts continues to date, with recently updated copyright laws being used by those groups to request massive site-blocking for torrent and streaming sites, with the courts generally rubber-stamping all of them.

To date, a glaring non-combatant in all of this has been Netflix. And that hasn’t been some huge surprise, either, given that Netflix has long had a history of touting its own ability to both compete with piracy and make use of its cultural effects, and the rest of the entertainment industry painting Netflix as some kind of problem for the industry itself. And, while Netflix’s tone on piracy has certainly begun to change, that made it somewhat jarring to learn that the company was suddenly diving into the Australia anti-piracy fray with both feet.

Over the past two years, many of the world’s largest torrent and streaming sites have already been blocked, but the work is far from done. A new application recently submitted at the Federal Court of Australia requests ISPs to block dozens of websites.

The complaint comes from Village Roadshow as well as several other prominent movie companies such as Disney Enterprises and Universal City Studios. For the first time, Netflix Studios has joined in as well, as Computerworld notes.

As stated, Netflix is now a part of the MPAA, which perhaps explains why it is now in on these enforcement efforts. This appears to be something of a move of solidarity with the industry, as the focus of this particular complaint is pretty heavy on sites accused of distributing Asian content.

Interestingly, the court order has a strong focus on Asian content. Several of the targeted sites, such as BTBTT and 123kubo.org, are predominantly popular in Asian countries. In addition, the list also includes many anime sites such as Animeultima.to and Ryuanime.com.

The latter is likely due to the fact that the Australian distribution group Madman Anime Group is listed as one of the applicants as well.

So, again, there’s something of a all-for-one and one-for-all flavor to all of this. Still, being a member of the MPAA doesn’t require Netflix to join in on these legal efforts at site-blocking. As is typical in these complaints, the torrent and streaming sites are painted as having only one purpose: to commit copyright infringement. On that basis, the complaint seeks the blocking of 86 websites.

But the new part of this is Netflix’s involvement. Why it suddenly feels the need to join the ranks of those seeking site-blocking is an open question, particularly when it has built a business model out of being more convenient and reasonable an option than piracy itself.

Permalink | Comments | Email This Story

Techdirt.

Mexico Reverses Ban On Selling Roku Hardware After Absurd Piracy Ruling

So just about a year ago the Mexican court system decided to ban all Roku streaming hardware from being sold in Mexico. The ban was the result of legal action taken by Mexican cable company Cablevision, which accused Roku of facilitating piracy. How? While Roku devices are more locked down than many of the more open home media PC solutions (also the target of endless pearl clutching and hyperventilation by the entertainment industry), users can install certain unofficial, third-party “private” channels that provide access to pirated live streams of cable content.

While Roku went out of its way to try and lock down their hardware, some users paid hackers a few bucks to crack open and modify the devices anyway, letting them access the dubious third-party channels in question. While this obviously wasn’t Roku’s fault, Cablevision believed Roku should be punished for the behavior of the company’s customers, and declared it was doing Mexican consumers a public service:

“Cablevision cannot allow the content that it licenses from domestic and foreign companies to be illegally used,” Cablevision spokeswoman Maria Eugenia Zurita told Reuters via email. “We would also like Roku Inc to better supervise the use of its software so that it’s not used inappropriately.”

Roku quickly appealed, and while a federal judge initially overturned the ban, a subsequent ruling restored it, so the ban has been in place for the better part of the year, costing Roku a notable sum. Roku subsequently jumped through all manner of hoops in a bid to please the courts, including building a new internal team specifically dedicated to cracking down on piracy, posting notable warnings to users who decide to install unofficial channels, and renaming the channels from “private” to “non-certified” in a bid to make it even more obvious Roku wasn’t sanctioning the behavior of its users.

Fast forward to this week, and the 11th Collegiate Court in Mexico City has ruled to again overturn the ban, opening the door to Mexican consumers being able to, you know, buy whatever hardware they like and use the devices as they see fit.

“The Court reportedly acknowledged Roku’s efforts to keep pirated content away from its platform, an opinion also shared by Cablevision. However, should pirate channels appear on Roku in the future, Cablevision warned that it would take further legal action to have those sources blocked via the Mexican Institute of Industrial Property and other local authorities.”

Again, consumers are just using a computer to access content online, and what that content is really shouldn’t really be seen as Roku’s responsibility. The irony here is that Roku has spent a lot of time kissing up to entrenched cable operators here in the States, helping them scuttle efforts to make traditional cable boxes more open. Of course much like the cable industry, the more locked down Roku makes its products, the more likely consumers are to flock to products that actually let them do what they want, which obviously doesn’t necessarily include piracy.

The same hysteria surrounding Roku has been doubly-applied to programs like Kodi, which (in much the same way that Roku is just a computer) is just software that (with the help of plugins) can be used to access copyrighted content… and a laundry list of other things. This nannyish approach to what hardware and software can be used and how is an unproductive and expensive game of Whac-a-Mole, which is why we’ve pretty consistently argued that embracing openness and innovation tends to be a notably more productive and profitable solution.

Permalink | Comments | Email This Story

Techdirt.

Streaming Video Sees Wave Of Price Hikes In Apparent Bid To Mimic Cable & Embolden Piracy

One of the major benefits of cutting the traditional TV cord and switching to streaming video services was supposed to be the lower cost of service. But because broadcasters dictate the licensing cost of content for both services, it was inevitable that the sector would increasingly mimic its traditional cable counterparts. As a result, numerous streaming video services used the July 4th holiday to obfuscate an industry wide price hike, driving up the monthly subscription costs of services like AT&T’s DirecTV Now, Sony’s Playstation Vue, and Dish Network’s Sling TV.

AT&T’s price hike, a $ 5 bump for all of the company’s DirecTV Now streaming TV tiers, is likely getting the most attention because it’s the precise type of hike AT&T repeatedly stated wouldn’t be happening if regulators signed off on the company’s $ 86 billion merger with Time Warner. AT&T lawyers repeatedly claimed during the recent court battle with the DOJ that the deal would lower prices, not raise them:

“The evidence overwhelmingly showed that this merger is likely to enhance competition substantially, because it will enable the merged company to reduce prices, offer innovative video products, and compete more effectively against the increasingly powerful, vertically integrated ‘FAANG’ [Facebook, Apple, Amazon, Netflix, and Google] companies,” AT&T told US District Judge Richard Leon in the brief…Price benefits should flow to consumers quickly, AT&T’s filing said. “[C]ertain merger efficiencies will begin exerting downward pressure on consumer prices almost immediately [after the merger]” AT&T wrote.

As with most megamerger promises of synergies and consumer benefits, that obviously didn’t happen. AT&T took on such a massive debt hit from the deal, it’s now looking to raise rates wherever and however possible, whether that means a price hike for TV streaming, or obnoxious and misleading fees that can help quickly and covertly pad AT&T’s bottom line.

As we’ve long seen with traditional cable, streaming ops are imposing the rates in quiet unison, engaging in what I’ve affectionately long referred to as “wink wink, nudge nudge” competition. In addition to price hikes at AT&T, Dish and Sony, Netflix says it’s also experimenting with a higher-priced tier specifically targeting customers with 4K and HDR capable sets. It’s a tricky balancing act; these services want to pass on higher programming rates demanded by broadcasters, but don’t want to undermine the entire reason that customers cut the cord and head to cheaper streaming alternatives in the first place.

On a positive note, many correctly point out that streaming is still generally seen as a real value when compared to traditional cable, something that should remain true for the forseeable future:

“Even after the current wave of price hikes, live TV streaming services are generally much cheaper than the average traditional TV bill. For packages that include major broadcast networks, regional and national sports coverage, and major news networks, the price for live TV streaming still floats around $ 40 to $ 50 per month. That’s less than half the average $ 106 that U.S. homes spent on traditional TV service last year, according to Leichtman Research Group.”

But that value could quickly be eroded if streaming operators continue to mimic their legacy counterparts, something that’s less of a strain for streaming operators that are vertically integrated broadcasters themselves (Comcast, AT&T); yet another advantage compounded by the repeal of net neutrality. Streaming operators have numerous other pitfalls awaiting them as the streaming video wars truly get underway, including the rise of exclusive content deals that could force customers back to piracy if they’re forced to hunt and peck between too many pricey exclusivity silos.

Permalink | Comments | Email This Story

Techdirt.

Boot up: slow Android security patch, Schmidt on piracy, Nexus 7’s aims, and more – The Guardian


The Guardian

Boot up: slow Android security patch, Schmidt on piracy, Nexus 7's aims, and more
The Guardian
The scary news was that Bluebox Security had worked out a way to break Android's security model. In theory, this could be exploited with almost any Androids apps. The hopeful news was that Google quickly released a patch for the security hole to phone 

“android security” – read more